Jamie Lin Wilson
Add to Calendar
Doors at 7:00pm
NO Seating GUARANTEED. Any Seating Available is on a First Come, First Served Basis. NO REFUNDS all sales final.
All Minors Will Be Charged an Additional $5 At the Door. 17 & Under Admitted with Parent or Guardian Only.
Jamie Lin Wilson
“It’s a weird road we’re on right now––I guess it always has been,” Jamie Lin Wilson says. She’s sitting on her porch in D’Hanis, a tiny town on the Seco Creek in South Texas, not far from San Antonio. She laughs a little, then adds, “But nobody’s life is the same. There is no blueprint.”
Thank goodness for all the lonely paths Jamie’s had to find that no one else has taken. With a voice that slides in and out of notes with easy grace, a sly sense of humor, and lyrics that highlight the details most of us miss, Jamie creates stark vignettes: intimate conversations between friends who might be lovers and lovers who can’t be friends; kids hopping from stone to stone in a graveyard; the way rolling clouds can signal a new season. She lives and works in that sweet spot where folk and country meet––Guy Clark territory.
“It’s unfair that the poets and songwriters are the ones who have the songs about their lives, when maybe that’s not what’s poetic,” Jamie says. “Maybe the moments are the ones happening in everyday farmers’ lives, or to a widow, or a son.” It’s her comfort in and commitment to two distinct worlds––that of the dream-chasing artists and the dirt-under-their-nails realists––that makes Jamie and her songs not just inviting, but cathartically important.
On his last two albums, Jason Eady earned major acclaim for his ahead-of-the- curve take on classic country, a bold departure from his earlier excursions into blues-infused Americana. Now with his sixth album, the Mississippi-bred singer/guitarist merges his distinct sensibilities into a stripped-down, roots- oriented sound that starkly showcases the gritty elegance of his songwriting.
The follow-up to 2014’s critically praised Daylight/Dark—an album that “belongs on a shelf next to Dwight Yoakam’s Buenos Noches from a Lonely Room, Joe Ely’s Letter to Laredo, and yes, even Willie Nelson’s Phases and Stages,” according to AllMusic—Eady’s latest finds the Fort Worth, Texas-based artist again teaming up with producer Kevin Welch. Now longtime collaborators (with their past efforts including 2012’s AM Country Heaven, a top 40 debut on the Billboard Top Country Albums chart), Eady and Welch worked closely in crafting the album’s acoustic-driven yet lushly textured aesthetic. “At the beginning I told everyone I wanted to make a record where, if the power went out, we could still sit down and play all the songs the exact same way,” says Eady, who points out that steel guitar is the only electric instrument featured on the album.
Despite its subtle approach, the album radiates a warm vitality that’s got much to do with Eady’s gift for nuanced yet unaffected slice-of-life storytelling. “I’ve always been drawn to writing that’s got a simplicity to it, where you’re digging deep into real day-to-day life,” he notes. Here, that means touching on such matters as turning 40 (on the reflective, soul-stirring “40 Years”), his daughter’s growing up and going off to college (on the sweetly heartbreaking “Not Too Loud”), and the everyday struggle to “embrace the messy parts of life instead of trying to get the point where you’ve somehow fixed all your problems” (on “Rain,” a joyfully determined anthem featuring SteelDrivers fiddler Tammy Rogers). Throughout the album, Eady’s soulfully rugged voice blends in beautiful harmonies with his wife, singer/songwriter Courtney Patton. And on “No Genie in This Bottle,” the legendary Vince Gill lends his singular vocals to what Eady refers to as a “good old country drinking song.”
In each track, Eady reveals a sharp sense of songcraft he’s honed since childhood. “Even back in my early days of getting into music, I always cared more about the writers than the singers,” says Eady, who grew up in Jackson. “I’d look up who’d written a certain song, and then go seek out more songs from that writer.” At age 14—the same year he started writing his own material—Eady began performing in local bars and showing his natural grasp of everything from soul and R&B to blues and country. After some time in the Air Force, he moved to Fort Worth and started playing open mic nights, where he quickly built up a devoted following. By 2005, Eady had made his debut with the independently released From Underneath The Old.
For Eady—who names Merle Haggard, Guy Clark, and Willie Nelson among his main inspirations—instilling each song with so much graceful honesty proved to be his greatest achievement and thrill in creating the new album. “When you first
get started making music, your ideas are grandiose and more about the big picture. But the longer I’ve done this, the more I’ve realized that the real joy comes from the process rather than the end goal,” he says. “Now it’s about getting better and finding more of myself with every album. So instead of writing what I think people want to hear, I’m writing what I want to write and trusting that—as long as it’s coming from an honest place—it’ll hopefully mean something to the people listening too.”
Do Not Use
330 East Grayson St
San Antonio , TX, 78215