Marc Broussard

Sam's Burger Joint Presentss

Marc Broussard

The Last Bandoleros, Peter Aristone

Fri, November 18, 2016

Doors: 8:00 pm / Show: 9:00 pm

$20.00 - $100.00

This event is all ages

Marc Broussard
Marc Broussard
Marc Broussard is an artist with a unique gift of channeling the spirits of classic R&B, rock and soul into contemporary terms. This gift has been a matter of common knowledge since 2002, when Broussard released his debut album, Momentary Setback, which he recorded and released independently at age 20. It was no secret before then, going back to those lucky witnesses who heard him belt "Johnny B. Goode" onstage at age 5 while sitting in with his father's band. Throughout his life, Broussard has been tapped as a talent to watch.

Marc’s song “Home” was successful at radio and catapulted him onto the national touring stage. His music has been placed in many TV shows and movies. The timeless, soulful nature of Marc’s vocal lends well to Film and TV, and will continue to do so for years to come.

Most recently, Marc released an independent Christmas Album titled, “Magnolias & Mistletoe”. The original song, “Almost Christmas” received radio play word wide. Marc’s next project is a charitable rhythm and blues covers record to be released summer 2016. He will be donating fifty percent of the proceeds to City of Refuge.
The Last Bandoleros
The Last Bandoleros
Ever since the members of San Antonio-forged, Tex-Mex/Pop-Rock outfit The Last Bandoleros can remember, they've been surrounded by dynamic and diverse musical influences. From Diego's early Rock 'n' Roll collection and the Tex-Mex music of his father to the Country-Blues of Jerry's guitar instructors and Derek's Jangly Brit-Rock records, the sounds around the members of The Last Bandoleros have always had an urgency and emphasis on songs and songwriting.

It's no wonder that when Diego Navaira (bass & vocals) and Jerry Fuentes (guitar & vocals) -- both raised in the studios and vibrant live scene of San Antonio -- joined with New York native Derek James (guitar & vocals) to form The Last Bandoleros, their combined experiences led them to create a compelling, contemporary American sound.

Joined by a button accordionist on stage, The Last Bandoleros mesh 1 part Tex-Mex, 1 part Brit-Pop and 2 parts Country/Rock, to write and perform driving songs brimming with melody informed by a unique amalgam of influences that only young Americans growing up a stone's throw away from the Rio Grande might have absorbed.

"I grew up idolizing Texas legends Dough Sahm and Flaco Jimenez," says Jerry, "and, at the same time, wanted to learn every song in the Rock canon including The Beatles and The Eagles."

"My dad [GRAMMY-award winning Conjunto superstar Emilio Navaira, Sr.] turned me on to Van Halen and ZZ Top," adds Diego, "but I was obviously surrounded by Tejano music since birth."

And, to be sure, a consummate command of their instruments is another of The Last Bandoleros' calling cards.

"Jerry won a San Antonio guitar competition when he was 13," shares Derek, "We love charting out ambitious harmonies. You'll see every member in our band singing when you come to one of our shows."

The group recently sold-out New York City's Rockwood Music Hall as headliner and opened for Canadian chanteuse Feist at Webster Hall. Before embarking on shows with neo-traditional country legends The Mavericks this summer, The Last Bandoleros will release their debut EP, featuring lead single "Where Do You Go?" which is already being praised by press and industry alike: called the song "instantly catchy" while described it as "bright," "explosive" and "memorable."

HITS Magazine wrote "the musical verve and joyous energy on display in this tune is pretty irresistible" dubbing it "Tex-Mex meets harmony-rich Beatlesque pop, with a healthy dollop of boy-pop charisma."

The Last Bandoleros combine their unique cultural experiences with a rare musical camaraderie to deliver exuberance and joy both essential and contagious. And, in today's fast-moving world of instantaneous information and converging influences, their original yet universal sound might just be best labeled "great music."
Peter Aristone
Peter Aristone
Sometimes you have to go back in order to move forward. After making his acclaimed debut album, the baroque 2014 release "19 Days in Tetbury," Peter Aristone dials it down a few notches with his compelling, stripped down EP "Gold."

The collection of five hook-laden songs takes Aristone back to where he started. Aristone learned to play guitar by picking up an acoustic six-string as a 14-year old in post-Communist Slovakia.

"That's how it all began for me," Aristone says. "I'll never forget picking up that acoustic guitar and how it felt. This is like a journey back home. I'm so comfortable with the acoustic guitar. I love it."

If it weren't for venerable producer-songwriter Sacha Skarbek (Miley Cyrus, Adele), perhaps Aristone would be on another sonic path. While watching Aristone deliver cuts solo acoustic from "19 Days in Tetbury" at a European club in 2014, Skarbek suggested he record an album in that manner.

"Sascha saw me at a show when I didn't even have a microphone," Aristone recalls. "It was all very raw. He really liked what he heard and he asked if I would ever consider recording acoustic."

Shortly thereafter Aristone and Skarbek started a working relationship and the latter produced "Gold."

"This all felt so right," Aristone says. "With the acoustic in my hand, it felt more emotional when I played. The great thing is that the new songs are not overwhelmed by the other instrumentation. I really like it. What I'm doing with "Gold" is the same thing I did when I was 14. I'm going back to my roots."

Considering the material, four originals and one cover, it makes sense that the songs are unadorned since the EP is comprised of moving love songs.

"Gold" is a gorgeous, dramatic tune, which features a soaring vocal, which is reminiscent of the Icelandic act Of Monsters and Men." The title track sounds as if it's sung from the view of a wild-eyed optimist..

"It's about the love that connects us all," Aristone explains. "It's about passion. That can be the passion for music or whatever you love. It's a song about how love can save you from everything bad in the world."

The timing couldn't be better for "Gold" considering how unstable and unpredictable the world has become.

"Fire Inside" is a snapshot of a character moving on after a nasty breakup. The melodic, rhythmic gem finds the protagonist taking his next step after digesting the fact that it's time to depart. "Fire Inside" is about fueling the flames inside of you after a serious relationship ends," Aristone explains. "This song is where I was a month after breaking up with my girlfriend. This song is about the hurt fueling the fire inside. That big fire inside gives us the motivation after our heart has been broken."

Aristone, who could be the professor of heartbreak after the experience with his last girlfriend, eloquently expresses how to lift yourself off the mat after you've been crushed romantically with "Fire Inside.'

And then there is the gentle and gorgeous "Someone Else's Rule," which is about letting go of everything in life, which then sets you free.

"What I've discovered is that the more you try to be in control of everything, the more you're losing it," Aristone states. "You let someone else rule your whole life, which is the wrong thing to do. You can't let anyone else rule you. I wrote this song with Alfie Jackson (the Holloways), who is an incredibly talented singer-songwriter."

The poignant "Not As One" captures the sonic moment of a fresh breakup. The heartbreaking ballad is a display of Aristone at the height of his powers as he nails it with this catchy, melancholy cut.

"I wrote "Not As One" the day after the breakup," Aristone recalls. "The hurt was really fresh. I had to fly to Denmark but I told my manager, that I wasn't going anywhere. I wrote this song instead. I was just sitting there with the guitar playing chords and it just came to me. It's a song about desperately loving a girl. You know it's over but you can't help yourself. The more you try to get her back, the more you're losing her."

"Gold's coda, a powerful cover of the Crosby, Stills & Nash classic, "Love the One You're With," is appropriate. After suffering through repeated heartbreak, Aristone had an epiphany.

"I love the message of the song," Aristone says. "Just love the one you're with. It doesn't have to be about romantic love. It can be brotherly love or the love between a mother and son. The song is the perfect fit for this EP."

Aristone completely reinvents the folk-rock staple. He transforms it from a mellow, straightforward track into an edgy, raw tune thanks to his powerful strumming and intense, passionate vocal. "Love the One You're With" sounds more hopeful than ever courtesy of Aristone's treatment. "I sing it much rockier than the original, "Aristone says. "I decided to go that way after I heard the demo by Stephen Stills."

His salad days as a metal vocalist inspired the direction he chose. "I used to sing really hard back in those days," Aristone said. "I thought it would be an interesting way to go with the song. There's no way I would repeat what was already recorded. Why repeat a cover? I wanted to do something different and make an interesting choice."

Aristone made some fascinating choices throughout "Gold." He was wise enough to revisit his early days as a musician.

"It did me a great deal of good going back," Aristone says. "Now I'm just trying to go forward and do the best that I can."
Venue Information:
Sam's Burger Joint
330 East Grayson Street
San Antonio, TX, 78215