Sam's Burger Joint Presents:
Wed, April 26, 2017
Doors: 7:00 pm / Show: 8:00 pmSam's Burger Joint
$10.00 - $40.00
This event is 18 and over
Seating NOT GUARANTEED. Any Seating Available is on a First Come, First Served Basis. NO REFUNDS all sales final.
All Minors Will Be Charged an Additional $5 At the Door. 17 & Under Admitted with Parent or Guardian Only. - $10 Advance/ $13 Day of Show/ $40 Reserved Booth
The follow-up to 2014’s critically praised Daylight/Dark—an album that “belongs on a shelf next to Dwight Yoakam’s Buenos Noches from a Lonely Room, Joe Ely’s Letter to Laredo, and yes, even Willie Nelson’s Phases and Stages,” according to AllMusic—Eady’s latest finds the Fort Worth, Texas-based artist again teaming up with producer Kevin Welch. Now longtime collaborators (with their past efforts including 2012’s AM Country Heaven, a top 40 debut on the Billboard Top Country Albums chart), Eady and Welch worked closely in crafting the album’s acoustic-driven yet lushly textured aesthetic. “At the beginning I told everyone I wanted to make a record where, if the power went out, we could still sit down and play all the songs the exact same way,” says Eady, who points out that steel guitar is the only electric instrument featured on the album.
Despite its subtle approach, the album radiates a warm vitality that’s got much to do with Eady’s gift for nuanced yet unaffected slice-of-life storytelling. “I’ve always been drawn to writing that’s got a simplicity to it, where you’re digging deep into real day-to-day life,” he notes. Here, that means touching on such matters as turning 40 (on the reflective, soul-stirring “40 Years”), his daughter’s growing up and going off to college (on the sweetly heartbreaking “Not Too Loud”), and the everyday struggle to “embrace the messy parts of life instead of trying to get the point where you’ve somehow fixed all your problems” (on “Rain,” a joyfully determined anthem featuring SteelDrivers fiddler Tammy Rogers). Throughout the album, Eady’s soulfully rugged voice blends in beautiful harmonies with his wife, singer/songwriter Courtney Patton. And on “No Genie in This Bottle,” the legendary Vince Gill lends his singular vocals to what Eady refers to as a “good old country drinking song.”
But as they say, “necessity is the mother of invention.” Might have been Plato who said it first, and a few other folks here and there since him, but for our purposes here, “they” would of course be the Trishas — the band of sisters (in song if not by blood) that Mickwee hooked up with a year after moving to central Texas from her native Memphis. “Mother of Invention” was the leadoff track on the Trishas’ winsome 2012 full-length debut, High, Wide and Handsome, and at the time its “make something out of nothing” message seemed to be the story of the band itself: four gifted young singers — not all of them (Mickwee included) yet songwriters or even musicians in the beginning — who somehow parlayed what was supposed to be a one-off gig at a Kevin Welch tribute concert into a life-changing adventure across the highways and byways of Americana roots music.
It was a beautiful journey, and full of promise, too, with the Trishas quickly carving out their own niche in the all-too-often male-dominated Texas music scene while simultaneously building a growing audience across the rest of the country via thousands of miles of touring in their trusty van. But alas, keeping that good thing going proved harder and harder once life (certainly not personality clashes or musical differences) scattered the four girls across Texas and as far afield as Nashville. So after five years, countless happy memories, and one last (for now) fling together on Delbert McClinton’s music cruise in January 2014, they all decided to take an open-ended break, leaving each band member free to go their own way.
Sam's Burger Joint
330 East Grayson Street
San Antonio, TX, 78215