Sam's Burger Joint Presents:
Thu, September 27, 2018
Doors: 7:00 pm / Show: 8:00 pmSam's Burger Joint
$10.00 - $40.00
This event is 18 and over
NO Seating GUARANTEED. Any Seating Available is on a First Come, First Served Basis. NO REFUNDS all sales final.
All Minors Will Be Charged an Additional $5 At the Door. 17 & Under Admitted with Parent or Guardian Only. - $10 Advance/ $13 Day of Show/ $40 Reserved Booth
Produced by Brian Fallon from The Gaslight Anthem, Starlings shimmers with an immediate and captivating focus. The 10-song set clocks in at 40 minutes with no prevarication or bluster, just a celebratory noise alight with hearts and history, broken-in voices and poetry.
Matthew Ryan grew up in Chester, Pennsylvania just south of Philly, and spent his teens in Newark, Delaware. In his early 20s, he moved to Nashville, where he was first signed to A&M Records, releasing May Day (1997) and East Autumn Grin (2000) before falling prey to the titanic label mergers of the early aughts.
What followed was more or less an album a year by any and all means possible until 2012’s In The Dusk of Everything. After moving to Western Pennsylvania in 2011, Ryan quietly decided that he’d had enough. Dusk would be his last album. “Music had become too lonely,” he said. But soon after that declaration, a sudden friendship with the frontman from The Gaslight Anthem, Brian Fallon, reignited something in Ryan. Fallon invited him out on some tour dates, and after performing a version of Ryan’s “I Can’t Steal You” (off of 2003’s Regret Over The Wires) together in New York City, the two decided they’d like to work together one day. Fallon just wanted to play guitar, but Ryan suspected he’d found a producer.
Hustle Up Starlings was recorded last summer in Nashville at Doug Lancio’s place on the East Side. Ryan assembled the cast because they all shared a common ethos and similar roots — The Clash, The Replacements, Bob Dylan, Bruce Springsteen, Leonard Cohen, The Cure, The Jam... Each of them hard working lovers of pop music with a black eye, a brain and soul.
Things were a little tense at the start. “Artists are like boxers,” Ryan says. “They have to test each other a little before they can trust each other.” And this was a roomful of artists. Brad Pemberton (Steve Earle, Ryan Adams) played drums and percussion; Brian Bequette (long-time blood brother and band member of Ryan’s) played bass; Fallon played electric and acoustic guitars while helming production; Doug Lancio engineered and mixed while adding synth and additional guitars. Ryan sang and played guitar as well. David Henry (former cellist for Cowboy Junkies) added strings where needed.
Fallon had a sense of the orchestration and arrangement already filed in his mind. They’d gather and play a song acoustically, discuss what they were hearing and what needed to happen, then Fallon would take the lead, check in with Ryan and off they’d go. Lancio would hustle around getting the mics and levels sorted then press record. They kept the takes that moved them, that felt alive. Most of the vocals you’ll hear were of the moment, as is the band’s performance. There was some minimal overdubbing, then Fallon would add backing vocals while the energy of just capturing a new recording was still in the room. Song after song played out like this. 7 days were booked, and they were finished in 5.
Sam's Burger Joint
330 East Grayson Street
San Antonio, TX, 78215