Sam's Burger Joint & San Antonio Blues Society Presents:
The Mighty Orq
Fri, September 22, 2017
Doors: 8:00 pm / Show: 9:00 pmSam's Burger Joint
$15.00 - $70.00
This event is 18 and over
Seating NOT GUARANTEED. Any Seating Available is on a First Come, First Served Basis. NO REFUNDS all sales final.
All Minors Will Be Charged an Additional $5 At the Door. 17 & Under Admitted with Parent or Guardian Only. - $15 Advance/ $18 Day of Show/ $70 Reserved Booth
“She’d grown up the child of a singer in a band and began playing her mother’s vintage Martin guitar when other girls were dressing dolls. She’d gone from being the teenage toast of her hometown Houston to sleeping in her van in Austin amid heaps of critical acclaim for fine recordings Alcohol & Salvation, Bloodless Revolution, and most recently, Miss Understood.
Along with the guitar and the multitude of other instruments she learned to play – trumpet, accordion, piano, mandolin, lap steel – Wonderland’s ability to whistle remains most unusual. Whistling is a uniquely vocal art seldom invoked in modern music, yet it’s among the most spectacular talents the human voice possesses.
That vocal proficiency was well-established in the singer’s midteens, landing her gigs at Fitzgerald’s by age 15. She absorbed Houston influences like Little Screamin’ Kenny and soaked up the Mad Hatter of Texas music, Doug Sahm. The Lone Star State was as credible and fertile a proving ground for blues in the 1980s as existed, especially in Austin with Stevie Ray Vaughan & Double Trouble, the Fabulous Thunderbirds, Angela Strehli, Omar & the Howlers, and Lou Ann Barton all in their prime. By the following decade, Austin’s blues luster thinned, but Houston, always a bastion of soul and R&B, boasted the Imperial Monkeys with the effervescent Carolyn Wonderland as ruler of the jungle.
In the early 1990s Wonderland & the Imperial Monkeys were invited to the Guadalupe Street Antone’s in Austin. There, they were treated like royalty with the singer as the queen of hearts in the club’s post-Stevie Ray Vaughan stable, which included Toni Price, Johnny and Jay Moeller, Sue Foley, Mike and Corey Keller, and the Ugly Americans. It was a good bar for the Monkeys to hang, and Austin felt so comfortable that when the band called it quits a few years later, she set her sights on Austin at the start of the millennium.
Always known as a stand-out guitarist and vocalist, over the last 13 years Orq has matured both as a writer and arranger. Where early-on the musical emphasis was on raucous drum and guitar lines, now Orq takes a more song-centered approach letting songs dictate the instrumentation rather than the other way around . New compositions such as “Love In A Hurricane,” “Say It With Silence,” and the Weissenborn instrumental “Cannon Ball” from the forthcoming album entitled “Love In A Hurricane” feature an experienced composer, instrumentalist, and singer beginning to reach his stride.
Sam's Burger Joint
330 East Grayson Street
San Antonio, TX, 78215