Sam's Burger Joint Presents:
Sat, February 3, 2018
Doors: 8:00 pm / Show: 9:00 pmSam's Burger Joint
$10.00 - $50.00
This event is 18 and over
Seating NOT GUARANTEED. Any Seating Available is on a First Come, First Served Basis. NO REFUNDS all sales final.
All Minors Will Be Charged an Additional $5 At the Door. 17 & Under Admitted with Parent or Guardian Only. - $10 Advance/ $13 Day of Show/ $50 Reserved Booth
Enter Banquet, Stalling’s sixth studio album, which is set for an early fall release on his longtime imprint Blind Nello Records. Produced by A-list Texas music helmsman Lloyd Maines and recorded at The Zone in Dripping Springs, Banquet boasts 11 tracks played by Jason Steinsultz on bass, Tom Lewis on drums, Bryce Clarke on guitar and mandolin, Heather Stalling (Max’s wife) on fiddle, Maines on steel guitar, and Stalling himself on guitar and lead vocals. The project was engineered by Pat Manske.
In many ways Banquet is quintessential Max Stalling – a batch of uncluttered, melodic, beautifully played vignettes about life, the oddities of the human condition, struggles, broken hearts, and even one titled “All the Way,” which is about “an existential discussion of the rarified condition of being,” Stalling wryly declares.
He offers a pair of spirited covers, the Beatles’ “Two of Us” and Doug Sahm’s “Beautiful Texas Sunshine,” and co-writes with buddies Jason Boland and Mark David Manders on the lead track “Night’s Pay In My Boots.” Wife Heather, whom he married in 2007, is Stalling’s writing partner on “You’d Better Be.”
Banquet is actually quite pivotal for Stalling. Like all true artists, the making of Banquet tested his mettle. He experienced writer’s block during the crafting of these songs, and he questioned whether the man he is now, a 48-year-old happily married stepfather, still has the same ardor he felt back in 1997 when he released his debut effort, Comfort In the Curves.
One listen to Banquet reveals the clear answer – he unequivocally still has that same passion.
Yet Stalling has certainly earned the right to not only take his time between releases, but also reevaluate his artistic prowess. He consistently plays at least 150 shows a year all over Texas – Houston, San Antonio, Corpus Christi, Lubbock, Amarillo, Ft. Worth, Dallas, Plano, McKinney, Grapevine, Galveston, Austin, Luckenbach, Gruene – and occasionally ventures to surrounding states. He’s steadfastly cemented himself as an important and respected regional singer-songwriter with a deeply loyal following.
Linville is legendary regionally for his work in the now-defunct Burtschi Brothers and for his behind-the-scenes influence—including producing John Fullbright’s first album and teaching guitar lessons to a then nine-year-old Parker Millsap. The “Oklahoma Gazette” rightly called him a “godfather of modern Oklahoma folk” and noted that his success opened doors for a state teeming with talent: a mentor and contemporary for other Oklahoma acts like Fullbright, Millsap, Turnpike Troubadours and John Moreland.
His acclaimed solo releases include 2012’s “Sun or Moon” and 2014’s “Out on the Wire” EP, called “rich, soulful and beautiful” by Jimmy LaFave. A live audition of a track from the latter even netted him a role in a William H. Macy film, in which he performed the song.
A gifted instrumentalist, Linville is also known for his work as a sideman with Texas songwriter Hayes Carll, who calls him “criminally underrated.” He’s also performed with Willie Nelson, Tommy Allsup and Ryan Bingham and shared billing with Merle Haggard, Other Lives and Billy Joe Shaver, among countless others.
Independently, Linville has sold 15,000 albums and played thousands of shows across his 20-plus year career, with an ever-evolving repertoire deeply rooted in songcraft, sly humor and subtlety.
"Travis Linville writes, plays and sings music the way it's supposed to be done,” Carll says. “With depth, heart and soul. One of my all-time favorite musicians."
Sam's Burger Joint
330 East Grayson Street
San Antonio, TX, 78215