Sam's Burger Joint Presents:
Sat, February 9, 2019
Doors: 7:00 pm / Show: 8:00 pmSam's Burger Joint
$20.00 - $120.00
This event is 18 and over
NO Seating GUARANTEED. Any Seating Available is on a First Come, First Served Basis. NO REFUNDS all sales final.
All Minors Will Be Charged an Additional $5 At the Door. 17 & Under Admitted with Parent or Guardian Only. - $20 Advance/ $25 Day of Show/ $120 Reserved Boothhttp://www.samsburgerjoint.com/event/1782310/
Whether its’ rock, folk, country or blues, Darrell Scott, the 4-time Grammy nominated Nashville songwriter, has written hits all the way from Brad Paisley and the Dixie Chicks to Del McCoury, Sam Bush and Keb Mo; contributing songs to three of 2016’s best albums alone. ‘It’s not surprising that Scott wrote nine of the 14 songs on his own new album, “Couchville Sessions,” and less surprising that he wrote three songs with the like-minded Americana artist Hayes Carll on Carll’s magnificent new disc, “Lovers and Leavers,”’ in addition to “1000 Things” from Sarah Jarosz’s award winning “Build Me Up From Bones” album.
What’s more surprising is that Scott came off of a year and a half of touring in Robert Plant’s Band of Joy with a co-write on R&B star Anthony Hamilton’s new recording, “Save Me,” the opening track on “What I’m Feelin.” Over the past two years Darrell has produced, co-written and performed on three songs from Zac Brown’s latest project “Heavy Is the Head,” in addition to producing Jonathan Edwards latest and Malcolm Holcombe’s upcoming 2017 release, “Pretty Little Troubles.” But these partnerships all makes sense: Although they hail from different genres, these artists are master craftsmen at fitting words to notes.
Witness his ability to make just about any instrument talk, listen to his vocals and songwriting to hear him contain every emotion between joy and pain within one verse in his singing and in his pen. Nowadays he’s taking the outsider role even more seriously; after 23 years in Nashville he spent the last year devoting himself to a self-sufficient lifestyle in the country while simultaneously putting together his best album in years.
Grammy Nomination for Best Country Song – “Long Time Gone” Dixie Chicks 2003
Grammy Nomination for Best Country Instrumental Performance – “The Second Mouse” 2001
Americana 2007 Song of the Year – “Hank Williams’ Ghost”
Rolling Stone Magazine listed Theatre of the Unheard as one of the 2003 Critics Top Albums
ASCAP Songwriter of the Year 2002
NSAI Songwriter of the Year 2001
Songs recorded by over 70 artists including: Dixie Chicks, Keb Mo, Faith Hill, Guy Clark, Sam Bush, Maura O’Connell, Kathy Mattea, Brad Paisley, Sara Evans, Garth Brooks, Patty Loveless, Trace Adkins, Tim McGraw …
Recorded With: Steve Earle, Kate Rusby, Joan Baez, Jim Lauderdale, Jimmie Dale Gilmore, Jon Pousette-Dart, Ginny Hawker, Malcolm Holcombe, John McCusker, Allison Moorer, Jessie Alexander, Randy Travis…
Production: Guy Clark, Susan Werner, Wayne Scott
Not even Branan’s deceased father is let off the hook. In the tender homage “The Vow” he drolly cites his father’s favorite banality “that’s what you get for thinking” as “probably not the best lesson for kids.” For most songwriters that would be the punchline but Branan pushes through words and, in his father’s actions, finds a kind of “genius in the effortless way he just ‘did’.”
Not all the death on ADIOS is literal mortality. “Imogene” is sung from the wreckage of a love that once “poked fun at the pain, stoked the sun in the rain” but ends with the urgent call to “act on the embers, ash won’t remember the way back to fire.”
The trademark lyrical agility is mirrored sonically. Never a genre loyalist, ADIOS finds Branan (much like his musically restless heroes Elvis Costello and Tom Waits) coloring outside the lines in sometimes startling shades of fuzz and twang. While unafraid to play it arrow-straight when called for (“The Vow,” “Equinox,” “Don’t Go”), ADIOS veers wildly from the Buddy Holly-esque rave up “I Only Know” (sung with punk notables Laura Jane Grace and Dave Hause), through the swampy “Walls, MS” to the Costello-like new wave of “Visiting Hours.”
The blistering punk of “Another Nightmare in America” bops along daring listeners to “Look away, look away, move along, nothing to see here” (the song is written from the point of view of a racist killer cop). And as the mourning singer on “Cold Blue Moonlight” shifts from paralysis to panic, the song’s jazzy drone shifts to an almost Sabbath fury. The tonal shifts are always deliberate and not just simple genre hopping; while the turns can be jarring you can trust Branan to take you somewhere unexpected.
The 14-song album was self-produced and recorded in the spring of 2016 at Tweed Studios in Oxford, MS with a tight three piece: Branan on lead vocals and guitar (both electric and acoustic); Robbie Crowell (formerly of Deer Tick) on drums and percussion, keys, and horns; and James “Haggs” Haggerty on bass. Additionally, Amanda Shires contributes on fiddle and vocals, and Laura Jane Grace of Against Me! and Dave Hause provide guest vocals.
Cory Branan has four previous full-length releases: The Hell You Say (2002, Madjack Records), 12 Songs (2006, Madjack), Mutt (2012, Bloodshot Records), and The No-Hit Wonder (2014, Bloodshot). His music has received critical praise from the likes of Rolling Stone and Rolling Stone Country, NPR All Things Considered, Noisey, Wall Street Journal, Paste Magazine, Oxford American, Consequence of Sound, Southern Living, and many others.
Sam's Burger Joint
330 East Grayson Street
San Antonio, TX, 78215